
In Cochabamba, discarded ceramics become mosaics, murals, and income through Kuska, a women’s collective that has spent thirteen years turning urban waste into public memory, economic opportunity, and a shared claim to Bolivia’s streets, galleries, cultural imagination, and collective future.
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At El Castillo de Huarmey, the discovery of an unlooted Wari royal tomb prompted a reevaluation of imperial dynamics in ancient Peru, revealing elite women as creators of wealth, ritual authority, memory, and imperial legitimacy rather than mere decorative figures.
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At the Berlinale, two Latin American filmmakers arrive with different tools and the same nerve. Brazil’s Grace Passô premieres her first feature about grief and family repair. Chile’s Maite Alberdi brings a documentary about motherhood pressure and punishment. Together they map what society asks of women.
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Colombian chef Leonor Espinosa has always given cooking a dimension that surpasses mere culinary interest.
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Ida Vitale will soon turn 100 years old, which “does not weigh on her.” EFE interviewed the Uruguayan writer.
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HBO will make a television adaptation in series format of Laura Esquivel’s acclaimed novel, “Like Water for Chocolate.” We tell you everything that is known so far.
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