Why is Suri Cruise Holmes not allowed to contact her father?
- Culture, Entertainment, Mothers, WE ARE, WE KNOW
- April 19, 2023

Karol G’s sixth album pairs Bruno Mars and Drake with a more intimate Carolina, turning emotional excess into cultural argument. Behind the star collaborations lies a Colombian woman testing how vulnerability, ambition and Spanish-language pop can redefine power for millions.
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Celia Cruz’s estate has recreated the Cuban salsa legend’s voice with artificial intelligence, promising education, cultural memory and strict controls while raising a sharper question: who speaks for an icon whose cry of “Azúcar!” still belongs to millions worldwide today?
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Two producers in San Juan are betting women can reset reggaeton’s pecking order. On March six, their nineteen-track compilation, “La Liga Femenina,” arrives, led by Puerto Rican Ivy Queen and Spanish La Mala Rodríguez, featuring nineteen voices and no men.
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At the Berlinale, two Latin American filmmakers arrive with different tools and the same nerve. Brazil’s Grace Passô premieres her first feature about grief and family repair. Chile’s Maite Alberdi brings a documentary about motherhood pressure and punishment. Together they map what society asks of women.
READ MOREChilean filmmaker Maite Alberdi’s ‘La Memoria Infinita’ competes for an Oscar, highlighting her trailblazing journey and marking a significant moment for Latin American cinema, with themes resonating across the region’s historical and emotional landscape.
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Chilean filmmaker Maite Alberdi seeks Goya success with ‘The Infinite Memory’ after two previous nominations fell short. This intensely personal documentary, exploring themes of love, memory, and the impact of Alzheimer’s, showcases Alberdi’s unique storytelling approach. As the Oscars loom, she remains hopeful yet cautious, reflecting on the unpredictable nature of awards and the stiff competition.
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