
At the Berlinale, two Latin American filmmakers arrive with different tools and the same nerve. Brazil’s Grace Passô premieres her first feature about grief and family repair. Chile’s Maite Alberdi brings a documentary about motherhood pressure and punishment. Together they map what society asks of women.
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Fourteen Latin American women are not just participating in Milano Cortina. They are logging official times, surviving the alphabet of DNF and DSQ, and finishing real Olympic races right now. For girls watching from warmer latitudes, this is proof that winter belongs to us, too.
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In Iquitos, artist Kay Zevallos steps into the Itaya River while menstruating, confronting a childhood warning about the pink river dolphin. Her performances argue the bufeo myth has been twisted to mask sexual violence, from rubber boom days to now.
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Before a Valentine bouquet lands in a vase abroad, it begins in cold, humid rows where Colombian women cut roses one by one in the dark. Their labor feeds families and fuels a signature export, even as February pressure tests bodies, logistics, and pride.
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On Panama’s Pacific shore and Peru’s northern coast, women beekeepers are placing hives in mangroves, harvesting honey while restoring a climate shield. A cross-border project pairs science with tradition to generate income, protect biodiversity, and demonstrate that conservation and livelihoods can thrive.
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As the ninth edition of the Women’s Copa América Futsal unfolds in Sorocaba, Brazil (March 22–30), Spanish-based players from multiple South American teams hope to dethrone the mighty host nation. Their quest underscores Spain’s growing influence in the global futsal scene.
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